In 1992, Los Angeles was aflame with riots and insurrection after the verdicts of Rodney King’s beating. I was among many artists who created a call for healing in the wake of the conflict. In my original project, Los Angeles (1992-2007), I collaborated with 101 members of my community to create angels in a darkened studio. Each subject stood for nearly an hour while I used strobes, flashlights, and filters to mark light across their bodies and onto a stage of bedsheets and cardboard wings. These large angels were ablaze with vibrant colors and forged in the tumult. They stood as guardians, calling for peace and understanding.
It is painful to stand in one position for nearly an hour. This was my subjects’ intimate and spiritual sacrifice. After arranging the personal items and clothing that they brought for their angel, I would say, “Take a comfortable stance, relax and breath normally. Your body will settle and wilt. I’m here to interpret that. And I’ll take care of you.” Many of my subjects recalled the experience as a meditative inward journey at the center of lights flashing, swirling, and beaming into ethereal space. Together in the dark, with their energy and my light, we created their angels.
Los Angeles
Technical explanation
These are traces of light using tricolor filters over the camera’s lens during an extended exposure. It’s a performance of 40-50 minutes recorded onto film. From 1992 to 1997, the first 42 angels are exposed entirely onto a single sheet of 4x5 film. from 1998 to 2007, the next 59 angels’ exposure performance took the same amount of time but was extended over 3 sheets of 8x10 film. The film after processing was scanned and then composited together as one exposure.
The last angel is me. I invited past angels to trace light over me while my son Sean operated the camera.